| dc.description.abstract | n the article on a stuff of art prose of Mykhaіlо Stelmakh functions, signs and a stylistic role
of repetitions are designated. The phenomenon of repetition draws attention of explorers of various fields of knowledge. In traditional functional-stylistic studios repetition is investigated in different aspects: as means of the stylistic description of language, as means of building of style, as means of
building of the text and its structural organisation, in aspect of structural-semantic and syntactic features of functioning of the text. A number of researches are devoted studying of some kinds of repetition, in particular, distant, synonymic, syntactic parallelism and so forth. From the point of
view of linguastylistics repetition communications analyze as means of ascent, substantial, specificity of textbuilding, an author’s modality and pragmatical installation of the text. The stylistic figures formed by lexical and syntactic repetitions as the special expressional receptions of
expressiveness of the text are analysed. Features of a semantic load of various kinds of repetitions are considered. Features of repetition of words different parts of speech and dependence of intensifying of the importance in the repetition text as syntactic figure from frequency rate of
repetition of language units in syntagmatic series are in passing designated. In fiction products a lot of attention was given to repetition, however is still insufficiently
studied repetition in Mykhaіlо Stelmakhʼs prose, as causes an urgency of a theme of research. Article purpose – to investigate various kinds of repetition on a stuff of art prose of Mykhaіlо Stelmakh. Achievement of the purpose demands the decision of following problems: to find out specificity of use of lexical and syntactic repetitions, their semantic load and functions in prosaic art texts. n the article on a stuff of art prose of Mykhaіlо Stelmakh functions, signs and a stylistic role
of repetitions are designated. The phenomenon of repetition draws attention of explorers of various fields of knowledge. In traditional functional-stylistic studios repetition is investigated in different aspects: as means of the stylistic description of language, as means of building of style, as means of
building of the text and its structural organisation, in aspect of structural-semantic and syntactic features of functioning of the text. A number of researches are devoted studying of some kinds of repetition, in particular, distant, synonymic, syntactic parallelism and so forth. From the point of
view of linguastylistics repetition communications analyze as means of ascent, substantial, specificity of textbuilding, an author’s modality and pragmatical installation of the text. The stylistic figures formed by lexical and syntactic repetitions as the special expressional receptions of
expressiveness of the text are analysed. Features of a semantic load of various kinds of repetitions are considered. Features of repetition of words different parts of speech and dependence of intensifying of the importance in the repetition text as syntactic figure from frequency rate of
repetition of language units in syntagmatic series are in passing designated. In fiction products a lot of attention was given to repetition, however is still insufficiently
studied repetition in Mykhaіlо Stelmakhʼs prose, as causes an urgency of a theme of research. Article purpose – to investigate various kinds of repetition on a stuff of art prose of Mykhaіlо Stelmakh. Achievement of the purpose demands the decision of following problems to find out specificity of use of lexical and syntactic repetitions, their semantic load and functions in prosaic art texts. n the article on a stuff of art prose of Mykhaіlо Stelmakh functions, signs and a stylistic role
of repetitions are designated. The phenomenon of repetition draws attention of explorers of various fields of knowledge. In traditional functional-stylistic studios repetition is investigated in different aspects: as means of the stylistic description of language, as means of building of style, as means of
building of the text and its structural organisation, in aspect of structural-semantic and syntactic features of functioning of the text. A number of researches are devoted studying of some kinds of repetition, in particular, distant, synonymic, syntactic parallelism and so forth. From the point of
view of linguastylistics repetition communications analyze as means of ascent, substantial, specificity of textbuilding, an author’s modality and pragmatical installation of the text. The stylistic figures formed by lexical and syntactic repetitions as the special expressional receptions of
expressiveness of the text are analysed. Features of a semantic load of various kinds of repetitions are considered. Features of repetition of words different parts of speech and dependence of intensifying of the importance in the repetition text as syntactic figure from frequency rate of repetition of language units in syntagmatic series are in passing designated. In fiction products a lot of attention was given to repetition, however is still insufficiently studied repetition in Mykhaіlо Stelmakhʼs prose, as causes an urgency of a theme of research. Article purpose – to investigate various kinds of repetition on a stuff of art prose of Mykhaіlо Stelmakh. Achievement of the purpose demands the decision of following problems: to find out specificity of use of lexical and syntactic repetitions, their semantic load and functions in prosaic art texts. n the article on a stuff of art prose of Mykhaіlо Stelmakh functions, signs and a stylistic role of repetitions are designated. The phenomenon of repetition draws attention of explorers of various
fields of knowledge. In traditional functional-stylistic studios repetition is investigated in different aspects: as means of the stylistic description of language, as means of building of style, as means of building of the text and its structural organisation, in aspect of structural-semantic and syntactic features of functioning of the text. A number of researches are devoted studying of some kinds of
repetition, in particular, distant, synonymic, syntactic parallelism and so forth. From the point of view of linguastylistics repetition communications analyze as means of ascent, substantial, specificity of textbuilding, an author’s modality and pragmatical installation of the text. The stylistic figures formed by lexical and syntactic repetitions as the special expressional receptions of expressiveness of the text are analysed. Features of a semantic load of various kinds of repetitions
are considered. Features of repetition of words different parts of speech and dependence of intensifying of the importance in the repetition text as syntactic figure from frequency rate of repetition of language units in syntagmatic series are in passing designated. In fiction products a lot of attention was given to repetition, however is still insufficiently studied repetition in Mykhaіlо Stelmakhʼs prose, as causes an urgency of a theme of research. Article purpose – to investigate various kinds of repetition on a stuff of art prose of Mykhaіlо Stelmakh. Achievement of the purpose demands the decision of following problems: to find out specificity of use of lexical and syntactic repetitions, their semantic load and functions in prosaic art texts. Research conclusions: in system of the stylistic majorants which are available in prose of Mykhaіlо Stelmakh, the special place belongs to repetition. Thanks to the chosen phylum of a locating of words the artist reaches buildings of unique colour of the narration necessary for realisation of an ideologically thematic and is art shaped plan. Repetition of syntactic constractions
carries out the functions similar to lexical repetition – intensifying, allocation of pivotal
components of the maintenance, connectivity of separate parts of the offer and text parts. Contact, distant and ring repetitions get the semantic importance as means of semantic rapprochement of the beginning and the narration end. Prospect of the further scientific researches it is seen in complete research of all kinds of the repetition inherent in art creativity of Mykhaіlо Stelmakh. | en |
